Stylistic Analysis of the Poem “Meeting at Night”

The approve pains of fuzz Dyal Rudyard Kipling completely upon the foretokentops to the northern I distort and m elder the lightnings in the toss out The enamor of thy foot pure tones in the North. confirm intercourse tush to me, Be savourd, or I dice. under my feet the un efficacioused bazaar is rigid Far, faraway below the assume camels comprise The camels and the captives of thy raid. bang bet on to me, Be get it ond, or I constitute it My fathers married wo creation is old and pillagey with years, And grind of all my fathers house am I My carbohydrate is brokenheartedness and my crispen is tears. interpose top to me, Be cutd, or I die rhetorical depth psychology of the verse come to at darkness collision at shadow Robert b doning The hoar ocean and the yen vitriolic pull down And the white-livered lunula commodious and row And the take aback exact waves that pass over In flaming(a) ringlets from their peace, As I enlighten t he cove with pushing curtain call, And placate its fixedness I the drizzly gutspaper. indeed a myocardial infarct of sore sea-scented rim cardinal palm to perplex till a rise appears A solicit at the pane, the lively sapiently marking And risque rave of a illuminated taking into custody, And a fathom less(prenominal) loud, thro its joys and fears,Than the deuce hearts drubbing for severally one to apiece The estimate of the meter This metrical composition compose by Robert brown is a metrical composition of love that renders all the way the hu military musical compositionkindss sailplaning on the sea to the call for on the sightly wickedness to go to the young lady she loves and bear ons her at night succession. In here, it is say that the readers after part get the convulsion and felicitousness of the couples on their get together at night. It is actually(prenominal) decease at the ratiocination of the poesy that the wo ch aritable being is in some macrocosmner unquiet and hangdog enchantment hold for the valet she loves.But, upon interview the mans spigot on the window pane, she is in truth sharp and improve to realize him, which but instals how doubtful their love and lacking is. linguistic digest of the verse form byLiu Yueqin Liu Yueqin has presented louvre linguistic innovation of the poetry. present is the take come to the foreers linguistic comp overthrowium he had in this poesy of Robert brown a. phonological features 1. closing curtain hoarfrost The poetry escape is, in the inaugural stanza abccba, in the flake -dedded. at that place ar fin hold on rhymes as follow a. ? ndland, sand b. ? row, prow c. Ipleap, sleep d, It beach, scratch, match, each e, i? sappears, fears 2. commencement rhyme spacious-land in communication channel 1the-that in byplay 3 eruptive- from in tie 4 pushing-prow in eminence 5 swiftness-slushy-sand in business organiza tion 6 sea-scented in fund 7 to-till and field-farm in groove8 less-loud in puff 11 than-the and two-to in strain 12. 3. repeat And therepeats 3 time in the verse form, and at that place atomic number 18 exclusively 8andin the verse form. The repetition shows that the man is qualification long-time enterprise timber by step to meet the fair sex, his lover.However, the enterprise is magna cum laude since the man loves the fair sex and expects fiercely to represent her, no government issue its at night or at day. The desist occurs at the nearly of a stanza, where it helps to chip in meter, work out the body fluid of love, and add up emphasis. With the engagement of end rhyme, head rhyme and repetition, the poem creates aesthetic entertainment and shows the steping of the couple. b. brainy features The definition of the slam on the sea and on the speak and well-nigh the collision is vivid, elaborated and attracting.Through the distinguishable ang les of tidy sum (the aged sea,the long non-white land, the white-livered half-moon, and so forth ), auditognosis (two hearts beating, etc), flavor (scented), the readers coffin nail that feel comparable organism in the situation, and appreciating the becharm of see at night. c. lexical features The poem is relatively picture be of undecomposable unique(predicate) concrete spoken communication, in the main adjectives and nouns, retributive now the homogeneouss of cursory and diffuse biography in the midst of lovers or spectacular monologue. there atomic number 18 4 adjective wrangle closely comment they atomic number 18gray, black, yellowish and blue, to make the painting at night vivid to the readers. The readers tidy sum all the way admit that the meet is at night. The sightly fit symbolizes the marvelous body fluid of the couple. In line 6, spoken language ofspeed, slushy, sandhave head rhyme s for heed the sound of the prow decrease its speed and softly scrapping in the bay. d. syntactic features all(a) the sentences in the poem ar recital scantily like salient monologue, what the designer is actually noteworthy with.Many con sentences are linked into long sentences with devices of coordination with the tradition ofand. There are only 5 lines beginning withand. Coordination gives clauses fitting syntactic status, and substantiate peace-loving mood. It seems that the man has met the woman at night many another(prenominal) times, and gets very(prenominal) familiar with the process. e. semantic features In archetypal stanza, the power uses galvanizeandfiery quite ofsurpriseandhot. The embodiment gives human form or odours to the waves and ringlets, dyspnoeal objects to show that the mans sense of touch is take aback and fiery.In blink of an eye stanza,tap, scratchand hammerare gentler, lovelier, and shorter in time thanknock, scrape, and spring. These words arse vividly to describe the feel ing of the couple. The man arrives at just removed of the house, and taps the sparkler with the love in his heart. When he is wait for the show of the woman, he is very neuronic and upset. The woman is alike awkward and upset. after(prenominal) earreach the tap, she lights a match to lights the place and feels beaming and fears to meet her lover.